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IMAX Golden-Hour Field Operative

A golden-hour operative sequence built on strict camera rules — low angles and crash zooms only, never an orbit — with the second character present only as filtered radio.

Aug 19, 20264 views

Prompt

Seedance 2.5

Prompt 👇 Jan: tall slim, round red glasses, earpiece right ear, gloves, harness. Tone: IMAX anamorphic 2x, golden hour. Hard low sun on wet concrete, deep blue shadows, backlight, horizontal blue flares, saturated epic grade. Never grey or flat. CAMERA: low angle nearly every beat. Crash zooms, straight tracking, tilts. NEVER orbit or arc. Smooth motion, natural blur, 24fps, no stop motion. Jan never looks into the lens. AUDIO: Renteria only by radio, thin, tinny, filtered, click each side. Jan answers out loud. SFX only: wind, rotor, rope, fabric. NO MUSIC, no subtitles. 0-6s Ground-level low angle, sun flare on puddles. Crash zoom to Jan's hands snapping the case shut, tilt up to earpiece and face, front to camera. Renteria, urgent: "Treinta segundos, Jan. Cincuenta referencias. Una sola toma. Tienes que mandarlo ya." 6-9s Low angle into the sun, camera tracks back ahead of Jan. He lifts the case: "Enterado. Voy por el." and runs. 9-12s Water-level low angle. Jan sprints over the camera, jumps a duct, gold spray on the lens. Renteria: "Cuando te subas, abres tu Capcot y lo generas ya." 12-15s Low angle on Duarte, rim lit. Crash zoom: "Pense que llegabas mas tarde." 15-18s Low angle, helicopter drops into a low hover, rotor wash blasting gold spray. Jan steps up through the door. 18-21s Cabin, over the shoulder behind Jan. He opens the case revealing the laptop, screen square to camera. Push in as he presses Generate. 21-25s Jan clips a rappel line to his harness, grips it with both gloved hands, kicks off the skid and swings out over the facade. Camera whips down with him into a fast controlled descent, boots striking the glass, sunlight tearing past. 25-30s Epic finale. Mid descent Jan yanks a second rope hard. The giant banner bursts open beside him and unrolls floor by floor, snapping taut. He lands on his feet in the plaza. Crash zoom out to a vast skyline wide, the full banner reading ESTO ES SEEDANCE 2.5 above him, helicopter rising into the sunburst.

How to Adapt This Prompt for Seedance 2.5

  • 1Swap the subject while keeping the camera language: the shot progression, timing beats (e.g. 0-2s / 2-5s) and lighting notes are what make the motion feel cinematic.
  • 2Keep the duration and aspect ratio in mind when editing — longer shots need more keyframes of action, vertical formats favor tighter framing and faster pacing.
  • 3Preserve the negative-style constraints (no text overlays, no face changes, no logos) — they prevent the most common artifacts in AI video generation.

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