宽屏画幅

trend prompt: widescreen. Soft, luminous 3D animated feature film render - the polish of a high-end CG animated movie, not a matte painting. Character art first: the two women are the subject and fill the frame; the environment is background and stays soft. [SHOT] Medium two-shot, camera close and slightly low, lens around 50mm, shallow depth of field. The two figures together occupy roughly 60% of the frame height, positioned across the center and right. Faces clearly visible and beautifully rendered. [SUBJECTS] Two young women seated close together on silk cushions on a low open pavilion floor. The nearer one, at frame right, is turned three-quarters toward camera, seated with one knee drawn up. She wears a loose peach and ivory wide-sleeved robe slipping off one shoulder, a deep green sash at her waist. Long black hair, softly pinned with a slender silver ornament, several loose strands falling across her collarbone. Her eyes are half lowered, lips slightly parted, expression quiet and absorbed. One hand is raised, palm up, fingers relaxed and open. The second, at center-left, leans in toward her from behind and to the side, seen in near profile, her cheek almost touching the first one's temple. She wears pale celadon and moon-white layered silk, one arm resting lightly across the other's shoulder. Her gaze follows the same point. Their closeness reads as easy, unguarded intimacy. [THE WONDER - between them] A translucent spirit fish made entirely of light floats in the air just above the raised palm, roughly the size of two hands. Its body is glassy and iridescent, pale gold shading to soft violet inside, with a single small glowing orb suspended before its mouth like a lure. From its tail streams a long ribbon of liquid light that curls in a wide slow arc behind and around both women, silk-like, semi-transparent, catching and refracting the light. Fine motes drift along the ribbon. The fish is the brightest thing in the frame and the primary light source on their faces. [LIGHT] The spirit fish casts warm golden light upward onto both faces, hands and collarbones, modelling them softly - clear key light with gentle falloff, warm highlights on skin, no harsh shadows. Soft cool ambient daylight fills from behind camera-left. Rim light along the far shoulder and the crown of the hair separates them from the background. Skin shows real subsurface scattering, warm and translucent at the ears, fingers and nose. [BACKGROUND - soft, secondary] Behind them, an open view over a bright cloud sea in late-afternoon light: a distant celestial palace complex on floating islands, pale jade terraces and warm-toned roofs, thin waterfalls trailing into cloud. Rendered heavily out of focus - soft creamy bokeh, forms readable only as gentle shapes and color. It must never compete with the figures. Two sheer ivory gauze drapes hang at the frame edges, softly defocused, lifting gently. [NEAR FOREGROUND - defocused] The edge of a low lacquer tray at the bottom of frame with a small celadon cup and a shallow bronze dish, plus a fold of rumpled silk bedding. Very soft, occupying the bottom eighth. [COLOR] Warm and gentle: peach, ivory, soft gold, pale celadon, with cool blue-grey only in the background haze and the deepest shadow folds. Rich but soft - never washed-out grey, never harsh saturated orange. [MATERIAL QUALITY] Silk reads as silk, with weight, weave and soft sheen. Sheer gauze is genuinely translucent with visible fiber. Hair rendered as fine individual strands with soft specular sheen. Skin soft, luminous and natural - no plastic, no waxiness, no airbrushed blankness. [MOOD] Intimate, warm, hushed, wondrous - a small private moment, not an epic vista. [AVOID] Wide landscape composition, tiny distant figures, figures seen only from behind, hidden or obscured faces, brushy matte-painting texture, birds or cranes, sharp detailed background competing with the subjects, cold grey wash, plastic skin.